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PITA_MAHA
May 01, 2006
Additions: June 14, 2006
Walter Spies, might best be
described as a multi-media Spies was nominally
artist, though he's sometimes German, so his name
pigeon-holed as a "German rhymes with "peas".
Expressionist painter".
One of the things he's
known for though -- or that
he should be known for --
is his work on the Kecak.
FIRE_DANCE
At some point in these researches,
it dawned on me that I was looking
at a Scene...
There was a group of artists and
intellectuals (some westerners,
some locals), who were working in
Bali in the Ubud/Campuhan area
in the 1920s and 30s.
This was roughly the same
time as the Lost Generation
group was active in Paris.
Is the Campuhan scene
a branch of the Lost (And were the Existentialists
Generation, or a scene an entirely different
of it's own? group, in spite of being
located in Paris also?)
How many others were
there? Berlin? Moscow?
^
influence isolation
o o
< >
o o
identity difference
v
Some names,
from this scene
(a melange of
core members
and visitors): From a few sources,
but largely:
performing arts: "Walter Spies and Balinese
Art" (1980) by Hans Rhodius
Charlie Chaplin and John Darling
Noel Coward
Ruth Draper OFF_OFF_CAMERA
Vicki Baum
wrote "A Tale of Bali"
("with W.S. help")
also "Grand Hotel"
Margaret Mead
(anthropologist)
Claire Holt
Jane Belo
Colin McPhee
Miguel and Rose Covarrubias
Barbara Hutton
(bought paintings)
Dutch visitors:
Stutterheim
(headed East Indies
Archeological Service)
Jaap Kunst
Dr. Goris
Grader and Jacobs
(administrators)
Founding members of the
"Pita Maha" group: (According to
historical
Walter Spies information at
Rudolf Bonet the Hotel
Tjokorda Gde Agung Sukawati Tjampuhan.)
which "fostered and promoted":
I Gusti Nyoman Lempad
Made Poleng
Gusti Ketut Kobot
Gusti Made Deblong
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