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NARRATIVE_DRIVE
If our grasp of narrative is central April 6, 2008
to our understanding of the world - May 6, 2008
then it would seem to be something that
needs study. RELUCTANT_STORYTELLER
It raises some interesting
possibilities: one might save the
world with a school of literary
criticism.
At the heart of our study of
humanity is a study of stories.
The kind of stories we like,
the way we relate to stories, Why is it that it's
the different kinds of stories that easier to get Americans
might be produced, and the interested in stories
ways we might be able to relate about mythical Iraqi
to them if we made an effort to nukes than in stories
do so... about a neo-fascist
takeover of the U.S.,
justified by trumped-up
These are huge subjects, external threats?
possibly critically important
subjects. What makes people
shudder at the thought
If there's a problem with our of nuclear accidents,
collective understanding of but shrug off thousands
the world, might it not be of deaths from coal
at root a disease of narrative? exhausts?
Perhaps we need a
wider taxonomy of
the unpredicted.
Some swans that
The theory that I come alight become
back to often is that ominous vultures
the trouble may be that all expect to
we don't take our return: 9/11,
stories seriously. Chernobyl/TMI...
Once, stories were Do all?
Peter Schwartz, held in regard as
is an advocate something sacred... Are all disasters
of "scenario perhaps that made dark swans?
planning", some sense.
i.e. grasping at Or is there a
the future by syndrome of
telling multiple ignoring the
stories. possibilty
that some dark
birds will
ever return,
in spite of
all historical
evidence?
Wars.
Taleb does admit Floods.
that we don't always
underestimate the odds RISK_ASSESSMENT
of big changes:
"... there are conditions
under which people
overestimate the unusual or
some specific unusual event
(say when sensational images
come to their minds) -- which,
we have seen, is how insurance
companies thrive." -- p. 141
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