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MEN_AT_WORK
October 10, 2008
The foreground action of a typical
example of one of Rex Stout's Nero
Wolfe stories will have Archie Goodwin
continually dealing with relatively
low-level practical issues:
E.g., despite their lack of any
legal authority, Goodwin needs to
convince someone to come to Nero
Wolfe's office and talk to them.
Despite Goodwin's tendencies toward sarcasm
and irreverence, he never objects to this sort
of assignment, no matter how difficult it
seems at first glance --
To the extent that there's any emotional
drive to these stories at all, it has to
do with the vying of the male characters
about their relative competence. They
have their different roles in the operation, My impression is that
and they constantly snipe at each other these stories are
concerning how well the other is doing -- more popular with
anxiety arises when Goodwin finds he can't women than many
deliver (for whatever reason: performance detective series.
counts, not excuses), joy occurs when Goodwin
comes through, even if it's purely a matter It may be because
of luck (which he happily admits to the here, competence is
reader, but rarely to Wolfe). only occasionally
equated with skill
at violence-- there
is actually very
"You admit you are answerable?" little on stage
"No, I was unlucky." violence.
"That doesn't absolve you. A man is
as responsible for his luck as for Then, there's the
his judgement. ... " obsession with food
and flowers...
--p. 95 of _Death Times Three_
(pbk ed), "Frame-Up For Murder"
Wolfe, talking to Goodwin. (The non-violent
character of these
stories, is an
observation I owe to
Mickey Waldeman:
the radio show
WBAI she did in
tribute to them
are what prompted
me to start
reading them.)
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