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CORKER


                                             May  4, 2009

   Michael Innes, "Hamlet, Revenge!" (1937), p.43.

   A respectable author named
   Piper interrogates an
   English prof and author of      I wonder if English teachers and
   mystery novels named Gott:      the great (now nearly forgotten)
                                   war on the word "got" have
   "... 'Would you say', he        something to do with that name.
   asked solemnly, 'that
   fiction proper and                                   A minor character
   narrative melodrama are                              in this novel is
   absolutely distinct kinds?'"                         named Gervase
                                                        Crispin. (p.31)
    "'I doubt if there is
   necessarily an absolute line.                        Apparently this was the
   Dickens wrote a mix-up of novel                      source for Bruce
   and melodrama -- and very                            Montgomery's psuedonym,
   successfully.' Gott paused to                        "Edmund Crispin"
   turn on the shower.  'Of course
   fiction commonly uses a finer                        And *those* stories
   brush all through.  It avoids                        are about a Gervase
   labels except where they are                         Fen, a bit of fan
   functionally necessary: Hot,                         worship for Gideon
   Cold.  Melodrama runs on big                         Fell.
   splashy labels: Bath Mat.  None
   of your aristocratic restraint.'   And thereafter,
   And Gott pointed to the            Innes actually
   unembellished cork surface at      uses "Bath Mat"
   his feet."                         as a shorthand       trope
                                      for "melodramatic    motif
    "Piper ... turned from            trope".              cliche
   question to statement.  'I                              symbol
   think myself that they come                             stereotype
   from different parts of the                             archetype...?
   mind.  Fiction belongs to
   what's called the              The words used             the over-romantic
   Imagination.  Melodrama        to make this               and under-realized
   belongs to the Fancy; it's     distinction are
   a bubbling up of the           startling.                      I can see
   suppressed primitive, a                                        why you'd
   subconscious on holiday,          The melodrama is             *want* a
   _fantasy_.'"                      *less imaginative*           short tag
                                     than the realistic           for this
    "... 'My waking life is given    drama?  That's not           notion...
   to imaginative writing --         something you hear           but "Bath
   writing in which the chief        very often.                  Mat"?
   concern is values.  But my
   dreams, like melodrama, are       Maybe: genre fiction         How is a
   very little concerned with        lacks imagination            mundane
   values.  The whole interest is    because it is                household
   on a tooth and claw level.        generic? But how             item to
   Attack and escape, hunting        much imagination to          serve as
   trapping, outwitting.  A          mimic the mundane?           a stand-in
   consciousness all the time of                                  for this
   physical action, of material      And the idea that            invocation
   masses, and dispositions as       high fiction is              of archetype?
   elements in a duel.  And, of      concerned with values
   course, the constant sense of     and the low with raw          Is this the
   obscurity or mystery that         sensation seems               "call the
   haunts dreams.  If I wrote a      peculiar by today's           big guy
   melodrama it would be out of my   light.                        tiny" joke?
   dreams.'"
                                          Popular fiction often      What an
    "'And what of Shakespeare's           contains some sort of      ear for
   drama of primitive intrigue,           morality play, and         words...
   _Hamlet_?  Is that an example of       the literary world
   the melodramatic and the               often seems concerned
   imaginative working together?'"        with recording
                                          low-level emotion and
    "Piper meditated.  'Perhaps',         experience (if not
   he said, 'it's a failure on that       often of a very
   account.  The melodramatic             "sensational" variety).
   material taken over by
   Shakespeare may not have been
   susceptible -- ' ..."

    "'I probably suppress the
   melodramatic in myself: I don't
   read it, for one thing.  But it's
   there waiting to bubble up.  And
   as it doesn't get into my writing
   it would like, I think, to get
   into my life.  If a sort of
   Ruritania came my way-- cloak and
   sword adventure-- I would jump at
   it.' "



                                    "Gott sometimes permitted himself
                                    a mysterious Oriental who was
                                    credited -- on what he had
                                    described to Piper as the Bath Mat
                                    principle -- with moving like a
                                    cat."   -- p. 57

                                               descriptive cliche
                                               ethnic stereotype

                                                  reaching for a standardized
                                                  hot button, a known complex
                                                  with easily recognized
                                                  labels...


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