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AMBER_GRAINS
June 25, 1993
The Sandman has always seemed somewhat
influenced by Zelazny's Amber to me:
Notably the Gallery of sigils is
reminiscent of Zelazny's deck of
trumps.
Both begin with their main
characters trapped on earth,
both escape and slowly make
their way back home: Dream's
slow crawl back to the center
of the Dreaming was the first
thing that reminded me of
Zelazny's "walking though
shadow".
Also, both Dream and
Zelazny's Corwin return from
Earth with their characters
changed, somewhat humanized.
I don't think there's much
correspondence between the various
members of the "royal" families, but
then Zelazny's pantheon wasn't as
well thought out as Gaiman's...
(For that matter the Phil Jose
Farmer "World of Tiers" stories His models were Burroughs,
Zelazny drew inspiration from and Van Vogt, so doing
did an even worse job.) character was out of the
question.
Also, both Gaiman's
Dream has the MAKER
multiple, elaborate
names of royal
convention, much
like Zelazny's hero (Zelazny's "Sam" is known
in _Lord of Light_. as "Sam Calkin, Prince
Siddhartha, Mahasamatman,
Binder of Demons, Lord of
You might figure Light").
this is a trivial
similarity, since
you could say the
same thing about
any number of
royal/religious But the question
characters through is what was Gaiman
out myth and *really* thinking
history... of, not what he
*might* have been
thinking.
And, it's obvious that currently
Gaiman is telling a story about
stories... but what is it that SATIRE
Gaiman wants to say about them?
There's a framing sequence about
an inn called "The Worlds' End", POV
where everyone present tells
different stories, and they all
insist that they're merely
killing time.
It's clear they "protest too much",
but what else could they be doing?
Defining the boundaries
of the world...
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